RMW: the blog

Roslyn's photography, art, cats, exploring, writing, life


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Feline Friday – #100 – Rauschenberg boxes, Freddie Mercury and Firefighters

Rauschenberg

Today I was at LACMA (Los Angeles County Museum of Art). This artwork by Robert Rauschenberg (1925-2008) caught my eye. I immediately thought WOW! The cats would love this piece. They could jump around in all the open boxes and scratch their claws on the cardboard. I guess everything is in the eye of the beholder as I have to admit I never really appreciated Rauschenberg’s art before! I wonder if he lived with cats? I should build something like this for Freddie and Frankie!

As I am a fan of the band Queen and Freddie Mercury, I recently saw the movie Bohemian Rhapsody about their rise to fame. When Queen became famous, I was amused to learn that Freddie bought a mansion large enough that each of his many felines could have their own individual rooms! That made me love Freddie even more. And if you should be wondering, yes, my Gentle Giant cat Freddie is named for him. (Don’t get any ideas, boys. All three of us have to share the same bedroom.)

pictures-of-cats.org

Lastly, but by no means the least important, a million thanks to the brave firefighters who risked their lives to rescue animals along with humans during the recent and ongoing horrendous fires in California. This photo says it all!

As this is the 100th Feline Friday post (woo hoo!) I was going to hire a band. But with everything going on in California and the world and my personal life this past few weeks, I decided that a quiet, unobtrusive recognition was just fine! Thank you all for hanging in there!


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Frank Gehry at LACMA – déjà vu updated

Frank Gehry

Several years ago the Museum of Contemporary Art (MOCA) showed a comprehensive exhibit of Frank Gehry’s work which I attended. If I remember rightly, this was just before his Walt Disney Concert Hall (across the street, as it happens) was completed.

frank gehry

So the exhibit currently displayed at the Los Angeles County Museum of Art (LACMA) was a little bit of déjà vu for me…  updated. Over a decade since its opening, the Disney has proved successful both as a concert venue and an architectural marvel on every tourist’s list.

Frank Gehry

As 2015 closes, the supposed centerpiece of the Grand Avenue Project in downtown, designed by Gehry, is still sputtering around, delayed for years. And now Gehry is involved in the revitalization of the storied Los Angeles River.

Frank Gehry

In the meantime, the man and his crew have been busy. Above is a photo of his office with current projects.

frank gehry

gehry-121915-007-C-700px

frank gehry

The first time I heard of Frank Gehry was before I even knew his name. Some avant garde architect bought an ordinary house in an ordinary Santa Monica neighborhood and turned it into an example of deconstructive architecture with chain link fences and corrugated aluminum siding. The neighbors were not happy.

The next time his name came up was in 1991 when he expanded the house and once again the neighbors protested. By then, as I had an interest in architecture, his name was on my radar and I made the effort to walk by the house to take a look. I’m not sure I would be that ecstatic about having him for a neighbor either!

frank gehry

But the rest, as they say, is history. The man is a genius, there is no doubt about that. And I appreciate the fact that he has turned architecture on its head. I’m personally just not crazy about all his designs.

frank gehry

One I do like, and pass by quite often, is the Binoculars Building (originally the Chiat/Day Building) in Santa Monica. The Binoculars were designed by Claes Oldenburg.

Frank Gehry

I enjoyed looking at the models and drawings. We stopped to watch the 2006 documentary, Sketches of Frank Gehry directed by Sydney Pollock. I originally saw it on PBS some years ago but it’s worth a second look.

Click on one of the images below to start the slideshow for some more photos from the exhibit:

Normally I would take the bus to LACMA but my friend decided it was too cold as the forecast was for the low 60s F (15.5 C), so she drove and we had to pay $12 to park the car. I admittedly have a thing about paying to park a car.

My friend is originally from Chicago but this is what years of living in Southern California does to you! (Of course, she might say, this is why I live in Southern California, and not in Chicago…)

However, as it turns out, her instincts were right. As we were coming back to the museum from the restaurant where we ate a late lunch, it started to rain. Oh my goodness, if we had to wait in the rain for the Metro bus, then again to transfer to the Culver City Bus, then walk home, not only would we both be wet and miserable, but I would have felt responsible.

I wish I could say this was the beginning of El Niño which the weather forecasters have been threatening us with for so long. But it looks like this is it until Christmas morning when we may have another few drops. Then the sun comes out again until January 5 when there is the possibility of a light shower. So disappointing.

All photos and content copyright roslyn m wilkins unless otherwise noted. No commercial usage without express permission. Please feel free to pass along this post via email or social media, but if you wish to use some of our images or text outside of the context of this blog, either give full credit to myself and link to One Good Life in Los Angeles, or contact us for proper usage. Thanks!


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LACMA: blink before it’s gone

LACMA

As I’ve mentioned before, my annual membership at the Los Angeles County Museum of Art (LACMA) enables me to stop by whenever I feel like it. I love wandering around the campus both inside the galleries and outside looking at the buildings and outdoor art.

LACMA

The museum opened at the Wilshire location in 1965. Behind Chris Burden’s lampposts you can see one of the original buildings.

LACMA

Like many buildings in Los Angeles that are deemed “out of date” the original buildings are in imminent danger of being demolished to make way for a more contemporary design.

LACMA

This part of the museum which now fronts Wilshire Boulevard, was added in the 1980s.

I’ve always enjoyed this glass block structure. I think of it as being some kind of Assyrian fortress. Some critics say it pushes people away rather than welcoming in them. It’s all a matter of perception. I feel like it’s safeguarding the treasures within so people can enjoy them once they are inside.

The three photos above form the walkway to the original museum entrance and box office.

The Calder sculpture fountain with reflections.

I’m the first to admit that the architecture of the museum is a mish mash of styles. But the buildings reflect the times in which they were built. Click on an image below to start slide show.

Even the Los Angeles Conservancy, which has at the top of their website banner “Preserving the historic places that make L.A. County unique” seems to be standing back while plans for demolishing the older buildings and replacing them with a shiny new one go ahead. I don’t understand.

If you are interested in seeing the design (commonly referred to as “the blob”) proposed to replace all this, click on the link here. Does that mean in another fifty years, when the powers that be at the museum are tired of the architecture from the 2020s, they will be tearing it down and building something more suited to 2070s tastes? At least by then I won’t be around to see it.

But if the current plan goes through, I probably will be around to see these existing buildings, sadly, bite the dust.

You can visit some of my other posts related to LACMA at:

https://onegoodlife.wordpress.com/2015/06/07/it-pays-to-belong/

https://onegoodlife.wordpress.com/2014/06/23/an-eclectic-day-at-the-museum/

https://onegoodlife.wordpress.com/2013/05/20/los-angeles-county-museum-of-art-between-bcam-and-the-reznick/

All photos and content copyright roslyn m wilkins. No commercial usage without express permission. Please feel free to pass along this post via email or social media, but if you wish to use some of our images or text outside of the context of this blog, either give full credit to myself and link to One Good Life in Los Angeles, or contact us for proper usage. Thanks!

 


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It pays to belong

LACMA Ode to Santos Dumont

Although I attend most of the special exhibits at Los Angeles County Museum of Art (LACMA), usually with friends, sometimes I just like to hang out at the museum by myself with no particular agenda in mind.

Friday I was on my way there by bus when I decided to check the schedule of events on my smart phone. I saw there was a showing of the late Chris Burden’s Ode to Santos Dumont at 1:00pm. As the #217 was lumbering north on the always congested Fairfax Avenue I was annoyed at myself for not taking the earlier bus.

Once off the bus I figured I would try for it anyway. There was nobody in the Member’s line, I snatched my ticket and slid into the Resnick Pavilion with time to spare!

LACMA Ode to Santos Dumont

By now you are wondering, what is she talking about? This is from the LACMA website:

The highly balanced and refined mechanism—modeled after Santos-Dumont’s 1901 dirigible that flew around the Eiffel Tower—achieves indoor flight in 15-minute intervals throughout the day. An examination of weight and gravity, the work is powered by a quarter-scale version of a 1903 De Dion gasoline motor handcrafted by machinist and inventor John Biggs. Ode to Santos Dumont offers a palpable and emotional expression of the density of air, gravity, and energy required to move about in our earthly environment.

Sometimes I just can’t say it better myself!

I took a video of the performance but couldn’t figure out how to upload a .MOV file to WordPress without a URL. If you are really desperate to see it in motion, there is a video at http://www.lacma.org/art/exhibition/chris-burden-ode-santos-dumont although I prefer mine! On that same page is a eulogy to Chris Burden (1946 – 2015).

LACMA-060515-011-C-800px LACMA-060515-024-C-800px LACMA-060515-026-C-800px LACMA Ode to Santos Dumont

Show over, I wandered into the 50 for 50 exhibit.

LACMA 50 for 50

Again, from the website: In just 50 years, LACMA has established itself as a world-class museum with one of the strongest encyclopedic collections in the world. The more than 120,000 objects that make up LACMA’s holdings are due to the generosity of donors. For the museum’s 50th anniversary, that spirit of generosity continues with this exhibition.
…the exhibition features gifts from more than 25 generous donors. Masterpieces on view include works by Claude Monet, Jean-Auguste-Dominique Ingres, and Andy Warhol as well as art from Africa and decorative arts.

Metropolis II

It wouldn’t be a proper visit to LACMA without popping in to view Metropolis II, my favorite Chris Burden piece, if not my favorite exhibit in the entire museum. I am always mesmerized by this kinetic look at “traffic.” I took a video of this too which came out pretty well. Too bad you can’t see it!

I am always entranced, whether looking up close at the details or watching from above looking down. I was fortunate to arrive just as the cars started moving.

This is a look at the making of the exhibit. 

I have the teeniest tiniest attention span but I found it interesting. If you can make it through all five minutes it is worth it, especially the “ride” through the exhibit at the end… but don’t skip to the end!!

Page Museum

It was lunchtime. I bought an over-priced tuna sandwich (but not nearly as over-priced as the same item at the Getty!) and trotted on over to the La Brea Tar Pits (yes, I know, that is saying “the The Tar Tar Pits”). I sat for a while and people-watched. I always appreciate the opportunity to take time out on a weekday. Life is indeed good!

The above photo is the working Paleontology Laboratory in the Page Museum at the tar pits. As a member of the Natural History Museum of Los Angeles County (NHM) I also have membership privileges at the Page. So I can hop in there for a few minutes whenever I’m at LACMA, which shares the Hancock Park campus with the Page. It’s fun to watch the paleontologists cleaning and sorting the fossils found at the pits. I’m not sure I would be comfortable working in a goldfish bowl.

Page Museum

Does your state have an official state fossil? California does! And I’m happy to say it is the Saber-toothed Cat.

Page Museum

Far from being cuddly, these kitties were the same size as a lion, but more heavily built. None of the fossils found at La Brea are more than 50,000 years old, so yes, people were around when these cats were roaming the area. If you’d like to see a cast of a recently excavated jaw of one of these guys click here.

Perhaps when the Page has finished their renovations I’ll devote a blog post to the museum.

As I had to return by way of LACMA to catch the bus, I stopped off to see the Raku exhibit at the Japanese Pavilion.

LACMA

Another Chris Burden piece, Urban Light, graces the “new” entrance to the museum. There are a bazillion pictures of this artwork on the internet as it is every tourist’s favorite photo spot. But I still get a kick out of it.

LACMA

As I passed by there were couples dancing out on the sidewalk next to the lights. Filming a commercial? Rehearsing for something? A big family enjoying themselves? Who knows? Chris Burden would most likely have appreciated the activity around his artwork!

LACMA-060515-072-C-800px

These plants are growing next to the sidewalk.

And across the street, the spectacular new facade for the Petersen Automotive Museum is taking shape. Right now it is closed for renovations with an expected re-opening date of December 2015.

Petersen Automotive Museum

By now I was ready for the bus ride home to Culver City and glad I didn’t have to steer my way through rush-hour traffic.

All photos and content copyright roslyn m wilkins. Please feel free to pass along this post via email or social media, but if you wish to use some of our images or text outside of the context of this blog, either give full credit to myself and link to One Good Life in Los Angeles, or contact us for proper usage. Thanks!


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The magic of movie costuming

may company building

When we go to see a Hollywood movie we are asked to suspend our disbelief in what is happening before our eyes. Superman flying through the air. The Queen walking her corgis. Dorothy on the yellow brick road. Would Christopher Reeve be the Man of Steel without his cape? Would Helen Mirren be Elizabeth II without her tweeds? Would Judy Garland make it back to Kansas if she didn’t have her ruby slippers? Without the right costumes, the movies we see wouldn’t be at all realistic.

may company building

The Hollywood Costume exhibit presented by the Victoria and Albert Museum, London and the Academy of Motion Picture Arts and Sciences displays 150 costumes from memorable movies through the decades. The Los Angeles version adds about 50 costumes to the original V&A exhibit.

may company building

The 1939 streamline May Company building on the corner of Fairfax and Wilshire has been chosen as the future home of the Academy Museum of Motion Pictures, scheduled to open in 2017. It was annexed by the Los Angeles County Museum of Art (LACMA) some years ago when it faced the wrecking ball. This will probably be the last exhibit shown here before the renovation. I’ll be writing a full article later on about this building.

may company building

This post is about the exhibit itself. No photography whatsoever was allowed inside. I can always understand not allowing flash photography as it is both annoying and destructive. I don’t understand why non-flash photography was not allowed. But so be it.

hollywood costume

I used a few images from the press photos page published on the exhibit website. Not as good as the photos I would have taken (!), but what can I do? They give you the general idea.

Above you see two of my favorites, Han Solo (Harrison Ford) and James Bond (Daniel Craig). The faces were displayed on 2D monitors and every now and again they would blink or change facial expressions so it gave some life to the 3D mannequins.

hollywood costume

The multimedia presentation was very clever and I liked the exhibit a lot more than I thought I would. I went with several friends and I was the last one out as I really enjoyed reading all the descriptions and studying all the details. Look up or you’ll miss Chris Reeve!

I can’t describe the many ways that interactive multimedia was used, and as I couldn’t take photos of it, you will have to see the exhibit yourself. I was impressed with the creativity.

hollywood costume

There was a whole section on Meryl Streep and her various and sundry roles. She was on a discussion panel where several versions of her were talking to each other. Other displays showed actors and directors discussing their movies as if they were right there having a conversation.

hollywood costume

We were marveling at the intricate hand sewn decorations on these gowns. And also wondering how the heck did women move around in them back in the original time period.

hollywood costume

So many great films were represented. One point I picked up on is that modern films can be harder to design costumes for than period pieces. We have certain expectations of what kind of styles people wear today. It’s easier to be a little bit off in a period piece because we are not as conscious of who should be wearing what outfit two hundred years ago.

You can view a PDF of more photos by clicking here.

Also a couple of links to reviews of the exhibit:
http://www.latimes.com/entertainment/movies/la-et-mn-hollywood-costume-academy-museum-exhibit-20140928-story.html#page=1
http://laist.com/2014/09/30/co-organized_by_the_victoria_and.php#photo-1

It took me a couple of hours to get through everything. I mentioned to my friend that the 150 costumes seemed more like 500. The exhibit is on through March 2, 2015. It is definitely worth seeing.

All photos and content copyright roslyn m wilkins except where otherwise noted. Please feel free to pass along this post via email or social media, but if you wish to use some of our images or text outside of the context of this blog, either give full credit to myself and link to One Good Life in Los Angeles, or contact us for proper usage. Thanks!


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Alert: Samurai warriors sighted in Los Angeles

LACMA samurai exhibit

I’ve been looking forward to this exhibit at the Los Angeles County Museum of Art (LACMA) since I first heard about it. Samurai: Japanese Armor from the Ann and Gabriel Barbier-Mueller Collection.

LACMA samurai exhibit

A friend and I are long-time members of LACMA so whenever a special exhibit comes up we try to go together.

LACMA samurai exhibit

So on Saturday she drove to my house then we took the Culver City bus to the Metro bus which stops right outside the museum. No parking hassles!

LACMA samurai exhibit

Other than what I had seen from the publicity, I really didn’t know what to expect but I suspected it would at least be interesting as I knew little or nothing about the subject… unless you count The Last Samurai with Tom Cruise. A pretty good movie, by the way.

LACMA samurai exhibit

Our tickets were for noon, there was no line, and we were able to go right in.

LACMA samurai exhibit

The first thing you notice is RED. Not just an accent here and there but bright crimson red pervading everything. I knew at once that this, along with the very dim lighting was going to be a photographic challenge.

LACMA samurai exhibit

The ceiling of the Reznick Pavilion during the day usually has natural light flooding through it because of the windows in the saw tooth roof. They were covered in red for this exhibit.

LACMA samurai exhibit

At first I attempted to outsmart the camera’s choices as I wasn’t happy with the images I was seeing. But every setting I made just increased the problems.

LACMA samurai exhibit

So finally I decided to acknowledge the camera’s innate wisdom and I dialed up P (for Program).

LACMA samurai exhibit

Considering the afore-mentioned difficulties plus no flash allowed, no tripod, shooting through protective glass cases and my unsteady hand, I have to give kudos to my Canon T3i for a darn good job. With a little help from Lightroom, of course!

LACMA samurai exhibit

You just have to go to the show yourself to truly appreciate the beauty, intricacy, handiwork and sumptuousness of the costumes. The exhibit is on through February 1, 2015.

From the website:

During the centuries covered by the exhibition, warfare evolved from combat between small bands of equestrian archers to the clash of vast armies of infantry and cavalry equipped with swords, spears, and even matchlock guns. Arms and armor were needed in unprecedented quantities, and craftsmen responded with an astonishingly varied array of armor that was both functional and visually spectacular, a celebration of the warrior’s prowess. Even after 1615, when the Tokugawa military dictatorship brought an end to battle, samurai families continued to commission splendid arms and armor for ceremonial purposes. Because the social rank, income, and prestige of a samurai family were strictly determined by the battlefield valor of their ancestors, armor became ever more sumptuous as the embodiment of an elite warrior family’s heritage.

LACMA samurai exhibit

For more images, click on a photo below to see the slide show.


All photos and content copyright roslyn m wilkins. Please feel free to pass along this post via email or social media, but if you wish to use some of our images or text outside of the context of this blog, either give full credit to myself and link to One Good Life in Los Angeles, or contact us for proper usage. Thanks!


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An eclectic day at the museum

los angeles county museum of art

Franz Marc

Some members of our Culver City Art Group met at the Los Angeles County Museum of Art on Saturday to view Expressionism in Germany and France: From Van Gogh to Kandinsky. 

From the LACMA website: “For the first time in a major museum exhibition, Expressionism is presented as an international movement in which artists responded with various aesthetic approaches to the work of modern masters such as Vincent van Gogh, Paul Cézanne, and Paul Gauguin.

The exhibition features Post‑Impressionist, Fauvist, and Cubist paintings by more than 40 artists—including Cézanne, Van Gogh, Gauguin, Henri Matisse, Robert Delaunay, and Paul Signac—that the Expressionists, such as Wassily Kandinsky, Ernst Ludwig Kirchner, Gabrielle Münter, and Franz Marc, were able to see in landmark exhibitions and collections in Germany and on their travels to Paris.”

Click on an image below to start the slideshow of some of my favorite pieces from the exhibit. We were not allowed to photograph all the paintings which included some of my favorites, but this gives you a pretty good idea of the scope of the 90 pieces of artwork on view:

A few weeks earlier I had attended a lecture at LACMA on this exhibit which gave me a good foundation for understanding the relationship between the French impressionists and the German Expressionists.

Our tickets also allowed us entrance to Calder and Abstraction: From Avant-Garde to Iconic which I had seen previously but certainly worth a second look.

Another exhibit I was excited about seeing was Edward Biberman, Abbot Kinney and the Story of Venice. From the LACMA website: “Initially created in 

1941 for the Post Office in Venice, California, under the auspices of the Treasury Department’s Section of 

Fine Arts, Edward Biberman’s mural Abbot Kinney and the Story of Venice has been recently restored. The monumental painting depicts city founder Abbot Kinney’s grand vision for Venice as a 

West-coast cultural mecca.”

los-angeles-county-museum-of-art-062114-047-950px

Along with the mural the exhibition included photos of Venice from past years and other works by Biberman.

The United States Post Office sold the Venice building in recent years and having seen this mural in person several times at that location, I was concerned about its future. Fortunately the building has been repurposed as a production facility for Silver Pictures and Joel Silver, the new owner, has a history of being sensitive to historical architecture.

Well, I guess I will have to do a separate post about the Venice post office building, Silver Pictures and Edward Biberman!

los angeles county museum of art los-angeles-county-museum-of-art-062114-005-850px

Above are two photos I took of another exhibit I saw the same day: Fútbol: The Beautiful Game, in honor of the FIFA World Cup ongoing at this moment in time. It would have been more enjoyable if England was still in contention, but at least the US is still hanging in there!

PashgianMain2

Image: Helen Pashgian, Untitled, 2012–13, © Helen Pashgian, photo © 2014 Museum Associates/LACMA.

And I thoroughly enjoyed Helen Pashgian: Light Invisiblethe first large-scale sculptural installation by the pioneer of the Light and Space movement. I wish I could tell you the height of these light columns but all I can say is they are taller than a person! I ventured into the exhibit twice. The first time it was so dark I couldn’t see anybody else in there until I pretty much bumped into them. When I went back a second time, after viewing other exhibits, I could easily see other people walking around. Maybe they turned the lights up a little, I don’t know. I liked it better the first time when it was totally mysterious and a little scary.

Because of the eclecticism of its collections and exhibits, LACMA is my favorite art museum in the Los Angeles area. LACMA has a beautiful campus too which it shares with the Page Museum and La Brea Tar Pits.

After the museum, six of us headed over to Callender’s Grill and Bakery And Cafe to discuss the art we had just seen and life in general. As a wino (and one who cuts the grape with ice cubes or Pellegrino water), I rarely drink the hard stuff, but I had a hankering for a martini. A couple of years ago I tried their Dirty Martini (Grey Goose vodka with cream cheese stuffed olives) and never forgot it, so that is what I ordered (along with a shrimp salad).

Oh myyyyy, that drink has some serious alcohol and after a few sips I was already feeling tipsy, but in a good way! I never drink and drive… used up all those coupons in my younger days… and although I had arrived at the museum by bus, a friend offered to drive me home. So either way I was not getting behind the wheel.

LACMA has some interesting exhibitions coming up. As a fan of abstract art I am looking forward to Variations: Conversations in and Around Abstract Painting due in August.

All photos and content copyright roslyn m wilkins unless otherwise noted. Photos of artwork not specifically noted may have copyright or usage restrictions. Please feel free to pass along this post via email or social media, but if you wish to use some of our images or text outside of the context of this blog, either give full credit to myself and link to One Good Life in Los Angeles, or contact us for proper usage. Thanks!


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Los Angeles County Museum of Art: between BCAM and the Reznick

LACMA, BCAM, Reznick

 Over the years I’ve taken about a billion photos of the Los Angeles County Museum of Art (LACMA). I like the convoluted architecture of the campus. 

LACMA, BCAM, Reznick

These photos are of the walkway between the Broad Contemporary Art Museum (BCAM) and the Stewart and Lynda Reznick Gallery, the two newest buildings at LACMA. BCAM opened in 2008. The Reznick in 2010.

LACMA, BCAM, Reznick

BCAM always reminds me of the Pompidou in Paris. In this photo BCAM is on the left, the Reznick on the right. Robert Irwin’s Palm Garden that surrounds the Reznick contains about 100 trees. LACMA-051913-053a-C-800px

Looking at art can be tiring and this bench offers a peaceful resting place for the weary.

LACMA, BCAM, Reznick

LACMA, BCAM, Reznick

LACMA, BCAM, Reznick

LACMA, BCAM, Reznick

LACMA, BCAM, Reznick

LACMA, BCAM, Reznick

LACMA, BCAM, Reznick

LACMA, BCAM, Reznick

All photos and content copyright roslyn m wilkins. Please feel free to pass along this post via email or social media, but if you wish to use some of our images or text outside of the context of this blog, please check with us first for proper usage. Thanks!


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Culver City Art Group views The 2000 Sculpture at LACMA

       The 2000 Sculpture

Members of the Culver City Art Group visited the Los Angeles County Museum of Art last Saturday for our January activity. The original purpose was to see the Bodies and Shadows: Caravaggio and His Legacy exhibit and also Stanley Kubrick. Truth be told, I wasn’t crazy about seeing either exhibit. But as an artist I feel it is important to expose myself to as much creativity as possible, whether or not I think I will enjoy it.

The best part of Caravaggio was the gorgeous frames the paintings were encased in. As I mentioned to my friends, art thieves generally cut the canvases out and leave the frames. I would take the frames and leave the canvases on the floor. Sacrilege! I do appreciate his use of light (and his copy cats working around the same time). How much fun it must have been for these artists to paint the effects of candlelight or the sun shining through the window.

As for Kubrick, I learned that Arthur C. Clarke, who collaborated on the story of 2001: A Space Odyssey with the director, actually wrote the novel after the movie. He said this was a once in a lifetime experience as he was able to improve the story by the mistakes and confusion that occurred in the original film script. This is one movie that is embedded in my brain and will remain with me for as long as I am lucid.

So what does that have to do with the photo above? In the main exhibition space of the Resnick Pavilion, before you walk into the special ticketed section for Caravaggio, this sculpture is laid out on the floor.

From the LACMA website:

“A pioneering figure in the development of minimal, conceptual, land art, and installation art, Walter De Maria has made minimalist horizontal sculptures that occupy entire rooms since 1969. Measuring 10 x 50 meters (approximately 33 x 164 feet), The 2000 Sculpture was first exhibited at the Kunsthaus Zurich in 1992. It is one of a series of works by De Maria featuring groupings of ordered elements using precise measurements. 

The current presentation is the first official public exhibition of The 2000 Sculpture at LACMA, and only the second solo museum exhibition of De Maria’s work in the United States.”

These photos were taken with my little Olympus point & shoot.

The 2000 Sculpture

As you walk around the sculpture and view it from different angles it looks completely different.

LACMA-2000-sculpture-011913-006-C-800px

You are also aware of the change in tonal qualities. The Reznick Pavilion, as I have noted in a previous post, was designed with indirect natural lighting which casts shadows on the pieces. I can’t imagine what this would look like at night with artificial light but it would be interesting to find out.

LACMA-2000-sculpture-011913-005-C-800px

As far as I could tell, the blocks are in three different shapes: five-, seven- and nine-sided. I wonder if there is some significance to those numbers? Well, I always have to over-analyze everything. But I would like to know…

There was one piece that was out of alignment on Saturday, but I won’t spoil it for you… you have to find it yourself, unless it has been corrected by now. I wondered if it had been left at a skewed angle on purpose!

LACMA-2000-sculpture-011913-003-C-800px

I would not want to the security guard posted at this display. It would make me crazy. But the guards probably know better than to stare at it for too long.

2000 Sculpture

This is about the third time I have viewed this piece on different visits to the museum but it doesn’t get old for me. I see something different each time. the display runs through April 1, 2013.

2000 Sculpture

(Photos copyright roslyn m wilkins)